Medium Format vs 35mm Cameras | What's the Difference?
Written by: Natalie Carrasco
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Published on
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Time to read 7 min
Which one is the right choice for you? What makes each brand so exceptional, and what are the pros and cons of each?
35mm vs 120 Formats
You’ve probably seen captions like “shot on 35mm” or “captured on 120 film” popping up in forums and Instagram posts. These terms do more than just describe the size and formatting of the film camera used, they're creative insights to the whole process of analog overall.
So, whether you’re loyal to the 35mm format, curious about medium format's dynamic range, or just here to soak up the craft — let's nerd out on the differences and what makes each unique. Sample images included, of course.
Medium format is all about a bigger canvas. These sensors are often bigger than 35mm full-frame cameras but slightly smaller than the even larger 4x5 inch film. On 120 film, you’ll commonly see:
645 format gives you 16 shots per roll.
6x6 format allows for 12 shots per roll.
6x7 format provides ten generous frames per roll.
The real perk is the larger imaging area. Compared to full-frame or point-and-shoot cameras, 120 medium format delivers cleaner detail, wider dynamic range, and richer, truer color that reflects the true-to-life tonality you want in portraits and landscapes. Almost all of your favorite photographers, like Willem Verbeeck, sport that cinematic yet sharp look you can’t quite as easily replicate on 35mm cameras.
Brief History
Medium format has a storied history that traces back to the early 1880s. It’s a deeply romantic form of analog that photographers have come to especially appreciate in this age of persistent technology. The classic Kodak Brownie made its debut as a consumer-level camera in 1901, heralding a new era of creative visual arts. It was the camera that helped democratize photography for the masses by the 1950s, popularizing the idea of a “snapshot” for fun. Not long after, other beloved brands like Fujifilm, Hasselblad, Bronica, and Pentax entered the chat, further contributing to the medium-format legacy.
Example Medium Format Camera Types:
TLRs (Twin Lens Reflex) utilize two objective lenses—one for the viewfinder and one for taking the actual photograph.
SLRs (Single Lens Reflex) have a single lens that allows viewing and capturing the image.
Rangefinders, which allow precise focusing through a dual-image rangefinding device.
Viewfinders typically involve a simple viewfinder for framing but no reflection system.
Medium format cameras are bigger—and usually pricier — but don’t let that scare you off. With Moment’s online courses, moving into 120 film is surprisingly straightforward and genuinely rewarding.
Shot on Medium Format
Shot on Medium Format
An Easier Form of Medium Format
If you're eager to try medium-format photography without messing with complex settings, the Fuji GA645 is the perfect first-timer camera. It's a user-friendly 120 formatted point-and-shoot rangefinder equipped with a clean, rich 60mm f/4 lens. And as the name implies, it utilizes the 6x4.5 design, allowing you to shot up to 16 exposures on each roll of 120 film.
It includes autofocus (but also prone to breakage)
Features auto film winding.
Insanely good image quality.
Comes with auto-excuse which totally eliminates the guesswork.
Includes a built-in meter.
Image by Lomography on Fujifilm GA645
Image by Lomography on Fujifilm GA645
2.) 35mm Film Cameras
Pentax K1000The likelihood of your first “real” film camera being an SLR is high. They bridge the gap between a basic point and shoot, are user-friendly, yet remain high quality enough that you’re not constantly yearning for more.
What is an SLR?
An SLR (single-lens reflex) camera lets you look through the same lens that takes the photo. A mirror and prism route the scene to your viewfinder, so what you see is exactly what the film records. It minimizes the guesswork and offers a true through-the-lens view. When you press the shutter, the mirror flips up, light hits the film, and the mirror drops back down. This is typically how most consumer-friendly 35mm cameras operate.
For most people stepping up from a camera phone, a 35mm SLR is the first “real” camera that makes everything feel more serious. SLRs are often portable and relatively affordable, with a massive used market and plenty of lenses to explore on sites like eBay or Etsy. You also get more frames per roll than medium format—usually 24 or 36—so you can experiment without paying an arm and a leg to burn through a roll. The dials and settings are often pretty approachable, with a suite of YouTube videos to help you along the way if you’re stuck.
Why 35mm over Medium Format?
Although medium format cameras are higher in technical image quality, 35mm cameras are the more nimble, everyday choice. Depending on your 35mm camera, you can still achieve stunning pictures with a fairly affordable setup. There’s a whole world of used camera accessories that cater to everyone from ultra-beginners to professionals. I personally love the Canon EOS 1V SLR as my go-to B camera for film next to my digital Fujifilm GFX. But if you want something even simpler, you can find a Pentax K1000 for around $100 online.
Shot on 35mm
Shot on 35mm
Point-and-Shoot Cameras
The sexiness of point-and-shoot cameras has exploded in popularity these last few years; especially among celebrity icons like Selena Gomez or Frank Ocean. Known for their petite size and super easy-to-use functions, point-and-shoot cameras are pretty much the go-to for foolproof photography. You literally just point and shoot... and the camera handles all the extra technicalities for you by automating settings to the precise subject matter.
Most newer models offer autofocus and built-in metering, while a few others toss in a digital zoom. The controls are minimal by design, which is kind of the point. They’re perfect for travel days, late-night hangs at parties, and everything in between when you want something more vibey than an iPhone.
But prices for point-and-shoot vary wildly — anywhere from about $25 for a basic beater to $2,500 for the buzzy, high-end ones like the Contax T3. It all depends on your preferences and wallet size.
And while most point-and-shoot cameras may not offer the creative flexibility of an SLR or a medium format camera that offer large sensors or interchanges lens interfaces — they're still the perfect addition in the camera bag. They're fun, cute, and the perfect gateway for first-time analog users.
Shot on Contax T3
Shot on Contax T3
3.) When To Use Which Format
The difference between 35mm and 120 film cameras is undoubtedly noticeable, but the real question comes down to the camera, lens, setup, and type of photography. I’ve shot a wealth of pictures on my 35mm point-and-shoot that I love, while there a few of my 120 images on my pricey Mamiya 645 AFD that came out exceptionally mediocre.
In all honesty, the size of your sensor only matters when it matters. The way the photographer uses the tool to craft the image determines the result. While not the most helpful answer, it’s liberating to know that the art of photography is, once again, more than just gear. It’s the dance of light, composition, settings, subject, and intention.
While 35mm is the typical format most users start with, medium format does offer greater manual and pro-level shooting experiences. Sometimes I feel a bit silly showing up to a wedding or large production shoot with a 35mm over a 120 camera, but there’s no reason to. Both formats are incredibly useful skills in the art of photography and provide a beautiful nod to a more manual process of documentation.
Summary
Kodak is better for warmer environments with nice natural light.
Kodak has better dynamic range and detail retention.
Kodak has stronger skin tones that are more true to life.
Fujifilm is ideal for clean, bright, airy subjects.
Fujifilm is more cool-toned than Kodak.
Both are legacy giants and offer versatile looks for a variety of subjects.
Shot on Kodak by Natalie Carrasco
Shot on Fujifilm by Gene Yoon
Frequently Asked Questions
What is the actual size difference between 35mm and 120?
35mm: 24×36 mm frame.
120 (medium format): Multiple options— 6×4.5 (~41×56 mm), 6×6 (56×56 mm), 6×7 (56×70 mm), 6×9 (56×84 mm), etc. The negative is 2–4× larger than 35mm.
Is grain different?
Yes. At the same film stock and ISO, 120 looks cleaner/smoother. 35mm shows more apparent grain, which many people love for its character.
What about depth of field and "look"?
Larger formats give shallower depth of field at the same field of view and framing; creamier backgrounds and that medium-format “pop.”
Which is better for portability and shooting speed?
35mm wins. Smaller kits, faster autofocus (if present), quicker handling, great for travel and street. 120 rigs are slower and heavier—better for deliberate shooting.
Is 120 film too "slow" for events?
Not necessarily. A ton of wedding/portrait pros (including myself) love 6×4.5 or 6×7 for the look. Just plan your pace, bring extra backs/rolls, and meter carefully.
Natalie Carrasco
A mother, photographer, editor & writer, gardener, and sun-drenched yogi based in Arizona.